Biography

Lewis Graham (b.2001) born in Birmingham, and currently living and working in Worcester, Graham's work is about a relationship with place and landscape, in particular the Client Hills south west of Birmingham. Intuitively, Graham has developed a 'sense of place' in his work and for the current time, this small group of hills that divide the West Midlands from Worcestershire and Warwickshire are the fertile ground for his paintings and drawings. Historically, the hills have their own stories of lore from Roman skirmishes to St Kenelm's martyrdom, as described in legends, which occurred when he was beheaded in the Clent Hills by Askobert, his sister's lover. In the 18th century, George, 1st Lord Lyttelton installed the Lyttelton follies; a Greek temple, an Egyptian obelisk, a medieval castle and ‘Stone Age’ standing stones, all created between 1747 and 1758  designed by Lord Camelford, Thomas Pitt of Encombe, Henry Keene, James ‘Athenian’ Stuart, and Sanderson Miller. In recent history, the Client Hills have been, and continues to be a place of recreation for the West Midlands work force, an escape away from the industry of the Black Country and Birmingham. The hills are flanked by the towns, villages and road systems, the barrier to the sprawl of The West Midlands conurbation, only second in size to Greater London, home to over 2.5 million people. 

“I am drawn to the hills. Maybe I escape there? Clent is why I make landscape paintings, they were the only landscape growing up. From up there you can literally throw a stone into Birmingham, from Weasley you can peer over Longbridge the ghost of the old Rover car factory, and on a clear day you can make out Dudley Castle and Zoo. At first I was making landscape paintings and drawings of  the places familiar to me, over time I realised the hill paintings  represent much more, they are my sense of this place. Ambitiously I want Clent to be, what Cookham was to Stanley Spencer or Northampton is for Alan Moore. For now it is a focus on or an escape to the hills! Like, for so many others, the hills always were and remain an escape for people, be it a Lord pretending, playing amongst his follies or the working people of the Black County seeking fresh air the hills both except and repel us, dividing the green shires from the Black Country and Brum.”

  • Lewis Graham in conversation with Division of Labour 2024

Exhibition list

2025

Village Greens, Hillsides and Conurbations - Divison of Labour

2024

The Manchester Contemporary 2024 (Selected for The Manchester Contemporary Art Fund)

Stop the Chaos, Turn the Page - Divison of Labour

The Stones Project (Glossop)

2023                                   

Tree & Leaf - Division of Labour                                                     

The Manchester Contemporary 2023

Plein Air, A Site for Resistance and Remedial Action -Pitt Studio, Division of Labour and SOA

Gurr Johns – ACS Studio Prize 2023 Finalist

Show 2023 (Degree show @ UOW)

Sky Arts Landscape Artist of the Year S8 E6 (Pod Artist)

Worcester Open (Climate Change Edition 23) SOA, PITT STUDIOS AND MEADOW ARTS          

2022

Kings Worcester (solo show)

Broadway Art Festival Finalist

Venice Touring - PITT STUDIO- Elmley Foundation

RWA 169TH Annual Open Exhibition

Trinity Bouy Wharf Drawing Award 2022 shortlist    

RBSA Prize Exhibition  (Highly Commended)

Tarpey Gallery Open

West Midlands Open -TheNewArtGalleryWalsall

SKYSCAPE - Worcester City Museum and Art gallery

Abstract Kab (solo show) - Division of Labour

2021

Worcester Open - SOA & PITT STUDIOS                                                                                      

Education

Fine Art BA (Hons) University of Worcester - 2023

TURPS Correspondence Course 23/24